Pittsburgh Symphony Orchestra

Manfred Honeck is widely regarded as one of the world's leading conductors, celebrated for his distinctive and revelatory interpretations that have garnered international acclaim. As Music Director of the Pittsburgh Symphony Orchestra, where he is now in his 19th season, he continues to shape the orchestra’s artistic identity with a deep sense of purpose and passion. His tenure, recently extended through the 2032–2033 season, has seen the orchestra flourish artistically while strengthening its role as a cultural ambassador for the city of Pittsburgh. Celebrated at home and abroad, the orchestra has appeared at Carnegie Hall and Lincoln Center in New York, as well as at major venues throughout Europe and prestigious festivals such as the BBC Proms, Salzburg Festival, Musikfest Berlin, Lucerne Festival, Rheingau Music Festival, and Grafenegg Festival.

Manfred Honeck's acclaimed Pittsburgh tenure is reflected in an extensive discography on the Reference Recordings label, featuring works by Beethoven, Brahms, Bruckner, Shostakovich, Strauss, Tchaikovsky, and others. These recordings have received widespread critical acclaim and multiple GRAMMY® nominations, including a win for "Best Orchestral Performance" in 2018. In August 2025, he and the orchestra released Requiem: Mozart’s Death in Words and Music, an original concept reimagining a funeral mass for Mozart, combining the composer’s Requiem with Gregorian chant, poetry, and other choral works by Mozart. 

Born in Austria, Manfred Honeck completed his musical training at the University of Music and Performing Arts Vienna. His years as a violist with the Vienna Philharmonic and Vienna State Opera Orchestra have had a lasting influence on his work as a conductor, and his approach to interpretation is rooted in a desire to venture deep beneath the surface of the music. He began his conducting career as an assistant to Claudio Abbado and as director of the Vienna Jeunesse Orchestra. Subsequently, he was engaged by the Zurich Opera House, where he was awarded the European Conducting Prize in 1993. He has since served as one of three principal conductors of the MDR Symphony Orchestra Leipzig, as Music Director of the Norwegian National Opera, Principal Guest Conductor of the Oslo Philharmonic Orchestra and Czech Philharmonic Orchestra, and Chief Conductor of the Swedish Radio Symphony Orchestra in Stockholm. In 2023, he was appointed Honorary Conductor by the Bamberg Symphony Orchestra, following decades of close collaboration.  

Manfred Honeck also enjoys a distinguished profile as an opera conductor. In his four seasons as General Music Director of the Staatsoper Stuttgart, he conducted premieres of operas by Berlioz, Mozart, Poulenc, Strauss, Verdi, and Wagner. He has also appeared as a guest conductor at major institutions such as Semperoper Dresden, Komische Oper Berlin, the Royal Opera of Copenhagen, and the Salzburg Festival. In 2020, Beethoven’s anniversary year, he conducted a new staging of Fidelio (1806 version) at the Theater an der Wien. In autumn 2022, he made his much-acclaimed debut at the Metropolitan Opera in New York, leading a revival of Mozart’s Idomeneo. Beyond the podium, Manfred Honeck has created a series of symphonic suites, including Janáček’s Jenůfa, Strauss’s Elektra, Dvořák’s Rusalka, as well as Puccini's Turandot, which he regularly performs around the globe. The most recent arrangement, based on Strauss's Arabella, received its premiere with the Pittsburgh Symphony Orchestra in 2025.

As a guest conductor, Manfred Honeck appears regularly with many of the world's leading orchestras, including the Bavarian Radio Symphony Orchestra, the Berlin Philharmonic, the Gewandhausorchester Leipzig, the Staatskapelle Dresden, the Tonhalle-Orchester Zürich, the Royal Concertgebouw Orchestra, the Philharmonia Orchestra London, the Orchestre de Paris, and the Accademia Nazionale di Santa Cecilia. In the United States, he has conducted many of the nation’s most distinguished ensembles. He has also been Artistic Director of the International Wolfegg Concerts in Germany for over three decades. 

In summer 2026, he returns to the Salzburg Festival to conduct Ariadne auf Naxos with the Vienna Philharmonic. He will also lead the Pittsburgh Symphony Orchestra on a European festival tour, with appearances in Salzburg, Lucerne, Amsterdam, Hamburg, and at the opening concert of the season at the Vienna Konzerthaus. In the 2026/27 season, he will commemorate the 200th anniversary of Ludwig van Beethoven’s death with special programs and a new commission from Jüri Reinvere, to be presented worldwide.

Manfred Honeck holds honorary doctorates from several universities in the United States and has been awarded the honorary title of Professor by the Austrian Federal President. In 2018, the jury of the International Classical Music Awards declared him "Artist of the Year." In 2026, he received the Julio Kilenyi Medal from the American Bruckner Society, an honor bestowed on distinguished interpreters of Bruckner.

Born to Polish parents in what is today Lviv, Ukraine, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. Mr. Ax made his New York debut in the Young Concert Artists Series, and in 1974 won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists, followed four years later by the Avery Fisher Prize.

The 2024/25 season begins with a continuation of the Beethoven For Three touring and recording project with partners Leonidas Kavakos and Yo-Yo Ma which takes them to European festivals including BBC Proms, Dresden, Hamburg, Vienna and Luxembourg. As guest soloist he will appear during the New York Philharmonic’s opening week which will mark his 47th annual visit to the orchestra. During the season he will return to the Cleveland and Philadelphia orchestras, National, San Diego, Nashville and Pittsburgh symphonies and Rochester Philharmonic. A fall recital tour from Toronto and Boston moves west to include San Francisco, Seattle and Los Angeles culminating in the spring in Chicago and his annual Carnegie Hall appearance. A special project in duo with clarinetist Anthony McGill takes them from the west coast through the mid-west to Georgia and Carnegie Hall and in chamber music with Itzhak Perlman and Friends to Los Angeles, Santa Barbara and San Francisco. An extensive European tour will include concerts in Paris, Oslo, Cologne, Hamburg, Berlin, Warsaw and Israel.

Mr. Ax has been a Sony Classical exclusive recording artist since 1987 and following the success of the Brahms Trios with Kavakos and Ma, the trio launched an ambitious, multi-year project to record all the Beethoven Trios and Symphonies arranged for trio of which the first three discs have been released. He has received GRAMMY^® Awards for the second and third volumes of his cycle of Haydn’s piano sonatas. He has also made a series of GRAMMY-winning recordings with Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. In the 2004/05 season Mr. Ax contributed to an International EMMY^® Award-Winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Mr. Ax’s recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th Century Music/Piano).

Mr. Ax is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College, New England Conservatory of Music, Yale University, and Columbia University.

For more information about Mr. Ax’s career, please visit www.EmanuelAx.com.

Admired for his interpretive depth, vocal strength and range of expressivity, rising star tenor Paul Appleby is one of the sought-after voices of his generation. A versatile artist, Appleby is equally in demand on the world’s leading concert, recital, and opera stages.

Following a summer season that introduced Paul Appleby to Glyndebourne in a new production by Barrie Kosky of Händel’s Saul, the tenor’s 2015-2016 season included a return to the Metropolitan Opera stage as Belmonte in Die Entführung aus dem Serail conducted by James Levine and a San Francisco Opera debut as Tamino in The Magic Flute.  Concert performances featured collaborations with Manfred Honeck and the Pittsburgh Symphony in Händel Messiah and Mozart’s Coronation Mass, Gustavo Dudamel and the Los Angeles Philharmonic with performances of the Mozart Requiem, and with Jane Glover and the New York Philharmonic in Händel’s Messiah.  Profoundly committed to the art of song, the tenor makes a Wigmore Hall recital debut accompanied by Malcolm Martineau and tours North America with pianist Ken Noda presented in performances by Carnegie Hall, Boston’s Celebrity Series, Friends of Chamber Music of Miami, and the University of Notre Dame.  With Steven Blier, Appleby serves a unique program at the New York Festival of Song offering the exquisite lyricism of Franz Schubert and The Beatles.

Appleby closed his 2014-2015 season “in spectacular form” (The New York Times) as Tom Rakewell in the Metropolitan Opera’s production of The Rake’s Progress(Stravinsky) conducted by James Levine. Earlier in the season, Appleby was seen and heard there as David in Wagner’s Die Meistersinger von Nürnberg.

Additional engagements included his role debut as Don Ottavio with the Milwaukee Symphony Orchestra in concert, his San Diego Opera debut in the same role in Don Giovanni, and performances with the Chamber Music Society of Lincoln Center on tour, and with the National Symphony Orchestra in Mendelssohn’s Lobegesang at the Kennedy Center.

Other recent performance highlights include the lead role of Brian in the Metropolitan Opera’s 2013-2014 North American premiere of American composer Nico Muhly’s Two Boys conducted by David Robertson, and Ferrando in Mozart’s Così fan tutte with Oper Frankfurt.  Company debuts included the Santa Fe Opera singing Fritz in Offenbach’s The Grand Duchess of Gerolstein, the Canadian Opera Company in Così fan tutte, and Washington National Opera as Tamino in Mozart’s The Magic Flute.  Concert appearances include performances of works by Benjamin Britten as part of Carnegie Hall’s “Britten Discovery Day,” an art song recital with the Voce at Pace recital series in New York City with pianists Ken Noda and Brian Zeger, and a joint recital with baritone Joshua Hopkins and pianist Natalia Katyukova presented by the Washington National Opera at the Kennedy Center for the Performing Arts.

Appleby’s discography includes albums for Delos, Virgin Classics, EMI’s Juilliard Sessions and Nonesuch.  Nico Muhly’s opera, Two Boys, released by Nonesuch was recorded live during the Metropolitan Opera’s 2013 production with conductor David Robertson and mezzo-soprano Alice Coote.  In April 2014, Delos released Dear Theo; the first album dedicated solely to works by American composer Ben Moore features Appleby’s performance of the song cycle from which the album takes its name accompanied by Brian Zeger, as well as the bonus track, Mr. Mooore’s widely performed setting of W.B. Yeats poem, “The Lake Isle of Innisfree.”

Appleby is a graduate of Metropolitan Opera’s Lindemann Young Artist Development Program and received the 2012 Leonore Annenberg Fellowship in the Performing and Visual Arts.  Other awards include the 2012 Top Prize by the Gerda Lissner Foundation, 2012 Martin E. Segal Award from Lincoln Center, 2011 Richard Tucker Career Grant and George London Foundation Award, and National Winner of the 2009 Metropolitan Opera National Council Auditions.  A recipient of an Artist Diploma in opera studies at The Juilliard School, he has also received a master’s degree from Juilliard and a bachelor’s degree in English literature and in music from the University of Notre Dame.

Audiences and critics alike have praised The Mendelssohn Choir of Pittsburgh’s programming, saying, “EXCEPTIONAL and MEMORABLE… I’m still talking about it,” “One of the finest music events I have ever attended,” and “the Mendelssohn never ceases to amaze me… This city should be proud of its choir” (Pittsburgh Post-Gazette). 

Critically acclaimed as one of the finest choruses in the country, MCP is the “voice of the greater Pittsburgh region” — whether premiering a choral work composed by Stewart Copeland of The Police at a rock venue, or performing Mozart with the Pittsburgh Symphony Orchestra (PSO) at Carnegie Hall in New York City. Unlike other professional arts organizations, MCP is proudly comprised of mostly amateur singers with professional-caliber talent, whose day jobs vary from postal clerk to physician to casino card dealer. MCP singers give generously of their talent, passion, and commitment to share the magic of live music with the widest possible audience, within Heinz Hall and throughout the community. 

For more than a century, MCP has proudly partnered with the PSO as its “chorus of choice,” bringing the joys of symphonic choral music to tens of thousands of people each year. MCP has performed under the batons of world-renowned conductors, including Lorin Maazel, Mariss Jansons, Rafael Frühbeck de Burgos, Michael Tilson Thomas, Claudio Abbado, Mstislav Rostropovich, Leonard Slatkin, Charles Dutoit, André Previn, Sir Neville Marriner, Yan Pascal Tortelier, Helmuth Rilling, Ingo Metzmacher, Richard Hickox, Zdenek Mácal, and Manfred Honeck.

MCP embraces its long legacy of performances, recordings, and commissions that reimagine choral music for today’s audiences and bring bold, unique programming to the Pittsburgh region, such as the recent world premieres of Satan’s Fall by the Police’s Stewart Copeland and The Times They Are A-Changin’ by composer and conductor Steve Hackman. Under the leadership of its new Robert Page Music Director Daniel Singer, MCP looks forward to continuing its tradition of excellence while seeking innovative ways to encourage broader community participation in MCP as singers and as members of the audience. 

MCP fosters the next generation of choral singers and audience members through its educational program, the Junior Mendelssohn Choir of Pittsburgh (JMCP). Founded in 1986, JMCP is the region’s premier high school choral training and performance program. Annually, JMCP attracts singers from more than a dozen school districts, providing youth with a challenging musical environment in which to develop their skills and encouraging them to be lifelong participants in the arts.

Pittsburgh Youth Chorus is a collective of young people who have been empowered and inspired by the joy of singing. Led by a dedicated staff of choral professionals who specialize in the young voice, Pittsburgh Youth Chorus (PYC) serves the region through exceptional choral music education and artistry. With opportunities for singers ages 6-18 – and with a focus on personal development, community engagement, travel, and cultural exchange – PYC’s multi-faceted programing is celebrated for its ability to nurture the potential of its participants while fostering confidence, dedication, and a sense of belonging.

Through professional-level choral education and performance, Pittsburgh Youth Chorus strives to provide opportunities for a diverse group of children to realize their innate artistic potential and share experiences that enrich their lives while benefiting their families and communities.

PYC made its debut in 1983, joining the forces of the Pittsburgh Symphony Orchestra for a performance of Mahler’s Third Symphony. As the fledgling chorus grew, as did its list of collaborators – Pittsburgh Opera, the Mendelssohn Choir of Pittsburgh, and Pittsburgh Public Theater have all shared the stage with the group’s young musicians. PYC has also hosted artists of international acclaim, such as Kim Nazarian of New York Voices, Joe Negri (best known for his work on Mr. Rogers’ Neighborhood), the Harlem Spiritual Ensemble, and Elisabeth von Trapp. Beyond its home in western PA, Pittsburgh Youth Chorus has taken young singers to Philadelphia, Washington D.C., Oregon, and the United Kingdom. Upcoming highlights include a trip to Denver, CO in June 2020 and the opportunity to host Dr. Raymond Wise, gospel music specialist from Indiana University Bloomington, in October 2020.

The magic of PYC is in the relationships – bonds between the young singers that rise from making music together, and then transforms the music-making into a powerful and meaningful experience. Countless families have attested to how their lives have been touched as a result of being a part of the PYC family. Pittsburgh Youth Chorus is proud of its singers – past and present – and eager to continue serving our communities with programs that invest in the region’s cultural landscape and future leaders.