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Jader Bignamini is Music Director of the Detroit Symphony, leading his second full season in 2022-2023. This season he makes debuts with Opera de Paris conducting La Forza del Destino and with Deutsche Opera Berlin conducting Simon Boccanegra, and with the Pittsburgh and Toronto Symphonies. 

Highlights of the 2021-22 season included his debut with Canadian Opera Company conducting Gianni Schicchi and Rigoletto with Oper Frankurt, as well as concerts with The Cleveland Orchestra at the Blossom Festival, Houston and New Jersey Symphonies, Residentie Orkest The Hague, and Bern Symphony Orchestra.  

In Summer 2021, Bignamini led triumphant performances of Turandot at the Arena di Verona with Anna Netrebko and Yusiv Eyvazov, as well as a staged production of Rossini’s Stabat Mater at the Rossini Opera Festival in Pesaro. Other recent highlights include debuts with the Metropolitan Opera, Vienna State Opera and Dutch National Opera conducting Madama Butterfly, Luisa Miller and La Forza del Destino at Oper Frankfurt, Cavalleria rusticana at Michigan Opera Theatre, La bohème at Santa Fe Opera, and La Traviata in Tokyo directed by Sofia Coppola. On the concert stage, he has lead the Dallas and Milwaukee Symphonies, Minnesota Orchestra, Slovenian and Freiburg Philharmonic Orchestras, Staatsphilharmonie Rheinland-Pfalz, and Mannheim National Theater Orchestra.  

Bignamini has conducted Manon Lescaut at the Bolshoi, La Traviata at Bayerische Staatsoper, Eugene Onegin at Stadttheater Klagenfurt, Turandot at the Teatro Filarmonica, Il Trovatore at Rome’s Teatro dell’Opera, the opening concert of the Orchestra Filarmonica del Teatro Comunale di Bologna conducting Carmina Burana; La Bohème at the Municipal de São Paulo and La Fenice; L'Elisir d'Amore in Ancona; Tosca at the Comunale di Bologna; La Forza del Destino at the Verdi Festival in Parma; La Bohème, Cavalleria Rusticana, and L'Amor Brujo at Teatro Filarmonico di Verona; Aida at Rome’s Teatro dell’Opera; Madama Butterfly at La Fenice; engagements with Maggio Musicale in Florence, the Festival della Valle d’Itria in Martina Franca, and the MITO Festival conducting Berlioz’ Messe Solennelle. He made his concert debut at La Scala in 2015. 

Bignamini began his conducting career as Assistant and then Resident Conductor of the Orchestra Sinfonica la Verdi, having been appointed by Riccardo Chailly in 2010. He was born in Crema and studied at the Piacenza Music Conservatory.  

 

From Bach to Adès, pianist Kirill Gerstein’s playing is distinguished by a ferocious technique and discerning intelligence, matched with an energetic, imaginative musical presence that places him at the top of the international profession, with solo and concerto engagements taking him from Europe to the United States, East Asia and Australia. Born in the former Soviet Union, Gerstein is an American citizen based in Berlin whose heritage combines the traditions of Russian, American and Central European music-making with an insatiable curiosity. These qualities and the relationships that he has developed with orchestras, conductors, instrumentalists, singers and composers, have led him to explore a huge spectrum of repertoire both new and old.  

In the coming season, Gerstein will feature as a Spotlight Artist with the London Symphony Orchestra, performing four concerti across the season at the orchestra’s Barbican Centre home and on tour, including Adès with Antonio Pappano, Rachmaninoff and Ravel with Susanna Mälkki, and Gershwin with Simon Rattle. Gerstein’s flair for curation recently also found expression as Artist-in-Residence with the Bavarian Radio Symphony Orchestra, in presenting a three-part concert series entitled ‘Busoni and His World’ at London’s Wigmore Hall, and as resident artist at the Festival Aix-en-Provence.  

Elsewhere during 2023-24 season, Gerstein returns to orchestras such as the Leipzig Gewandhaus with Nelsons, Deutsches Symphonie-Orchester Berlin and Chamber Orchestra of Europe with Ticciati, Orchestre national de France with Măcelaru, Rotterdam Philharmonic with Shani, Boston Symphony and Los Angeles Philharmonic with Adès, Munich Philharmonic with Popelka, Orchestra del Teatro alla Scala with Harding, Orchestre national de Lyon with Szeps-Znaider, Accademia Nazionale di Santa Cecila with Kavakos and with Hrůša, Tonhalle Orchester Zürich with Payare, Minnesota Orchestra with Søndergård, and the radio orchestras of Stuttgart, Hamburg, and Cologne, among others. In recital, Gerstein will reprise with Christian Tetzlaff Suite from The Tempest for violin and piano, which was written for them by Thomas Adès, for premières in New York, Washington, and Boston. Gerstein will also appear in solo recital at Carnegie Hall New York, Chamber Music Napa Valley, the Vienna Konzerthaus, and the Abu Dhabi Festival among others.  

Presenting and commissioning new music has long been part of Gerstein’s calling and in recent years, he has premièred two new piano concertos written especially for him: the first by British composer Thomas Adès, and the second by Austrian composer Thomas Larcher. Gerstein most recently gave Adès’s Concerto for Piano and Orchestra its national premières in France, Belgium and Italy, and in 2023 performs the work with Vladimir Jurowski and the Berlin Radio Symphony at Grafenegg, the BBC Proms, and the Berlin Musikfest. The Larcher Piano Concerto will be recorded for ECM with the Bergen Philharmonic and Ed Gardner.  

A long-time believer in the importance of teaching in the life of a musician, Kirill Gerstein is currently Professor of Piano at Berlin’s Hanns Eisler Hochschule and on the faculty of Kronberg Academy. Under the auspices of Kronberg Academy, his series of free and open online seminars entitled Kirill Gerstein invites is now in its fifth season. Featuring conversations with leading artistic minds, guest speakers have included Ai Weiwei, Andreas Staier, Brad Melhdau, Thomas Adès, Iván Fischer, Alex Ross, Matthew Aucoin, Kirill Serebrennikov, Elizabeth Wilson, Simon & Gerard McBurney, Robert Levin, Reinhard Goebel, Simon Callow. Emma Smith, Deborah Borda, Rafael Viñoly, Sir Antonio Pappano, Kaija Saariaho, Joshua Redman, Khatchig Mouradian and Michael Haas. Gerstein has also coached students at the Verbier Festival Academy, Aix-en-Provence Chamber Music Academy, and Prussia Cove.  

Kirill Gerstein’s forthcoming release on the Platoon label will pair music by Debussy with that of Armenian priest, musicologist, and composer Komitas, featuring collaborations with Thomas Adès, Ruzan Mantashyan and Katia Skanavi. Gerstein released his Rachmaninoff 150 recording in 2023 as a tribute to the mark the composer’s 150th year, featuring his performance of the Second Piano Concerto with the Berlin Philharmonic and Kirill Petrenko recorded live on Berlin’s infamous Waldbühne stage. His first collaboration with myrios classics was 10 years ago and, as a result of the partnership, has realized many thoughtfully curated projects including Mozart Four-Hand Piano Sonatas with his mentor of 17 years, Ferenc Rados; a compendium of Thomas Adès’s works for piano in collaboration with the composer which won a 2021 International Classical Music Award; Strauss’s Enoch Arden with the late Bruno Ganz (Wings of Desire; Downfall); Busoni’s monumental Piano Concerto with the Boston Symphony Orchestra and Sakari Oramo; The Gershwin Moment with the St Louis Symphony and David Robertson, including special appearances from Storm Large and Gerstein’s former mentor Gary Burton; Liszt’s Transcendental Études, picked by The New Yorker as one of 2016’s notable recordings; and Tchaikovsky’s First Piano Concerto in the composer’s own final version from 1879.  

Earlier recordings on myrios classics include Imaginary Pictures coupling Mussorgsky’s Pictures at an Exhibition with Schumann’s Carnaval; two discs of sonatas for viola and piano by Brahms, Schubert, Franck, Clarke and Vieuxtemps recorded with Tabea Zimmermann; and a recital disc of works by Schumann, Liszt and Knussen. Deutsche Grammophon’s 2020 release of Gerstein’s world première performance of Adès’s Concerto for Piano and Orchestra with the Boston Symphony Orchestra won a 2020 Gramophone Award and was nominated for three GRAMMY Awards. He has additionally recorded Tchaikovsky with Semyon Bychkov and the Czech Philharmonic as part of The Tchaikovsky Project released by Decca Classics; and Scriabin with the Oslo Philharmonic and Vasily Petrenko for LAWO Classics.  

Born in 1979 in Voronezh, Russia, Kirill Gerstein attended one of the country’s special music schools for gifted children and taught himself to play jazz at home by listening to his parents’ record collection. Following a chance encounter with jazz legend Gary Burton in St. Petersburg when he was 14, he was invited as the youngest student to attend the Berklee College of Music in Boston, where he studied jazz piano in tandem with his classical piano studies. At the age of 16, Gerstein decided to focus on classical music completing his undergraduate and graduate degrees with Solomon Mikowsky at New York’s Manhattan School of Music, followed by further studies with Dmitri Bashkirov in Madrid and Ferenc Rados in Budapest. Gerstein is the sixth recipient of the prestigious Gilmore Artist Award – enabling him to commission new works from Timo Andres, Chick Corea, Alexander Goehr, Oliver Knussen and Brad Mehldau – First Prize winner at the 10th Arthur Rubinstein Competition and an Avery Fisher Career Grant holder. In May 2021, he was awarded an Honorary Doctor of Musical Arts degree from the Manhattan School of Music.