Pittsburgh Symphony Orchestra

ANDY EINHORN (Conductor) most recently served as the music supervisor and musical director for the Broadway productions “Hello, Dolly!” starring Bette Midler and “Carousel” starring Renée Fleming, both of which received Grammy nominations. Einhorn’s previous Broadway music directing and conducting credits include “Holiday Inn, Woody Allen’s “Bullets Over Broadway,” Rodgers + Hammerstein’s “Cinderella,” “Brief Encounter,” and “Sondheim on Sondheim.” Other Broadway works include “Evita” and “The Light in the Piazza.” Since 2011, Einhorn has served as music director and pianist for six-time Tony Award-winner Audra McDonald, performing with her at the New York Philharmonic, Boston Pops at Tanglewood, Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Chicago Symphony at Ravinia, Los Angeles Opera, Carnegie Hall, a recorded concert series at the Sydney Opera House, and others. They have recorded two albums: “Sing Happy: Live with the New York Philharmonic” and “Go Back Home.” He served as the music director for HBO’s Peabody Award-winning documentary “Six by Sondheim” and music supervisor for Great Performances Peabody Award-winning special “Broadway Musicals: A Jewish Legacy” on PBS. In 2019, Einhorn conducted Bette Midler and Marc Shaiman at the 2019 Academy Awards. He also music supervised and appeared on camera for the Emmy award-winning performance of “Eat Sh*t Bob” for HBO’s “Last Week Tonight” starring John Oliver.

SHULER HENSLEY (Teyve) Shuler Hensley is an award-winning actor and director. He has been director/artistic director of City Springs Theatre Company since its inception and last directed The Sound of Music in 2021. Shuler recently starred as Hades in Paper Mill Playhouse’s production of Hercules and in Broadway’s The Music Man, playing the role of Marcellus Washburn with Hugh Jackman and Sutton Foster. He also has recently been seen as Tom Kettle in Broadway’s The Ferryman and was seen in the New Group’s production of Sweet Charity opposite Sutton Foster. He previously appeared on Broadway in No Man’s Land (also Berkeley Repertory Theatre); Waiting For Godot in repertory, opposite Patrick Stewart, lan McKellen, and Billy Crudup; as The Monster in Young Frankenstein (also the National Tour and London’s West End); Kerchak in Tarzan; Jud Fry in Oklahoma! (also at The National Theatre and London’s West End - Tony, Drama Desk, Outer Critics Circle, and Olivier Awards); and Javert in Les Misérables. Opera appearances include Wozzeck (Curtis Institute of Music) and Regina opposite Patti LuPone (Kennedy Center). Shuler has also performed with the New York Philharmonic, San Francisco Symphony Orchestra, and the New World Symphony Orchestra. TV credits include “Murder of a President,” “Shades of Blue,” “Banshee,” “The Americans,” “Ed,” “Deadline,” “Gary Powers,” “Law & Order: SVU,” “Criminal Intent,” and “The Jury.” Film includes The Greatest Showman, After. Life, The Legend of Zorro, Van Helsing, Monday Night Mayhem, Someone Like You, The Bread, My Sweet, and Opa! Proud Equity member. Shuler was awarded the “Stage Performance of the Year” by New York Magazine in recognition for his work in The Whale. He is also the namesake of the Georgia High School Musical Theatre Awards at Cobb Energy Performing Arts Centre.

ANNE L. NATHAN: Broadway: Funny Girl, It Shoulda Been You, Once, Sunday in the Park With George, Chicago, Assassins, Thoroughly Modern Millie, Ragtime. Off-Broadway: Sing Street (NYTW), Broadway Bounty Hunter  (Greenwich House Theater), Sundown Yellow Moon (Ars Nova/WP) Taming Of The Shrew (Delacorte) Once (NYTW), Wings (2ST), Road Show (The Public).  National tours: Chicago (Carbonell Award) Les Misérables, Aspects of Love. Film & TV: You Must Be Joking, Baby Mama, King of California, “Fleishman Is In Trouble” , “Little America” , “Elementary”, “The Good Wife,” “Dirt,” “Law & Order (SVU, Criminal Intent, Trial By Jury),” “Veronica Mars", "What I Like About You”. Web Series: “Submissions Only”.

GUSTAVO ZAJAC (Director and Choreographer) is an Argentinian/American director and choreographer whose work has been seen worldwide. On Broadway, he worked as Associate Choreographer for "Fiddler on the Roof" starring Alfred Molina, and in the same capacity on the Tony Award-winning revival of Maury Yeston’s "Nine" starring Antonio Banderas and Chita Rivera. He was also an Assistant Choreographer on the original workshop of "Wise Guys" starring Nathan Lane. In New York, he choreographed a concert version of the opera "Carmen" at the Lincoln Center, "The Pirates of Penzance" at the City Center, and the annual "24 Hour Musicals" starring Bebe Neuwirth. In his hometown of Buenos Aires, Argentina, he has directed and choreographed "Fiddler on the Roof," "Victor Victoria" (Critics Award Best Director in a Musical), "Man of La Mancha,” and directed a hugely successful production of "An Act of God.” In Japan, Gustavo was a guest choreographer for the 100th anniversary of the Takarazuka Revue Company. He conceived, directed, and choreographed the musical “Argentango,” teaching tango to Japanese performers. Gustavo was the Artistic Director and Choreographer of the Argentinian version of the internationally known TV show "Your Face Sounds Familiar," the Argentine version of the US hit “So You Think You Can Dance.” He received a Fulbright Scholarship in Musical Theater and Dance in New York City and was granted the Honorary Recognition Award in Dance and Choreography by the Argentinian Dance Council. Zajac directed “Fiddler on the Roof,” “Barnum” “Cyrano de Bergerac” and “Bernarda Alba” in Seoul, Korea and “The Flying Lovers of Vitebsk” with Quantum Theatre in Pittsburgh.